Monday, June 18, 2007

Voice (Or, Writing like a Musician)

Mindful of the persistent student perception that their grades simply depend on who reads their work, I tried an experiment. I took one of my pieces and, acting as if a student wrote it, asked a colleague what she thought of it (sharing student work is not an uncommon practice—we frequently share pieces for help with difficult grading calls). My experiment failed inside of a minute—she turned to me and said with firm conviction, “YOU wrote this.” I admitted the ploy, and asked how she knew so quickly. “I was halfway through the first sentence,” she replied, “when I thought ‘I KNOW this voice!’”

I should have known. A former girlfriend, Jean, once read me a passage she wanted to share. “Nice!” I noted. “Do you know who it is?” she asked (Jean was fanatically competitive and given to provocation). “No,” I answered, “but it sounds like Joyce.” “It is Joyce,” she confessed.

In college, I used to look for my fellow music major and best friend Gordon, a trombonist, simply by walking around the practice rooms—I knew his sound from the other trombonists. One day in the snack bar, scarfing down my cheeseburger and fries over lively conversation, I suddenly stopped, exclaiming, “That’s Phil Woods!” recognizing the alto saxophone work I admired on Billy Joel’s “Just the Way You Are” playing on the radio, a song new to me that day. Much more recently, a writing colleague and friend called me to excitedly say “Turn on the radio!” I did. He was listening to a classical piece and wanted to purchase the recording. “Do you know what it is?” he asked. “No,” I responded, “but it’s Beethoven.” Then the violin took over. “Oh!” I explained, “It must be the Beethoven Violin Concerto,” a judgment the announcer later confirmed.

In a few seconds, I can tell the difference between Baroque and Classical, Stravinsky and Ravel, even which orchestra and conductor are performing—and so can any other musician. [I’m reminded of a cartoon depicting a smug looking music listener and his agitated wife, saying, “Why can’t you just say ‘Scarlatti,’ instead of ‘Scarlatti, of course!’”] We also talk about “an ear for language,” and why not? I’m in the midst of reviewing a new text for my Intro to Poetry class, and the emphasis there on slight variations in sound, meter, rhythm and their permutations will be enough to send the average undergraduate into utter despair over ever passing the course. [I’ll work on fixing that problem.]

My fellow writing professors understand this about language, but they also notice a difference between us. Looking over my shoulder while I composed a piece on my laptop during a contentious faculty meeting, one colleague noted admiringly, “You’re just so fluent at this stuff.” Another colleague on a previous occasion remarked, “I can see the poetry in your writing.” A bit confused (since I’m primarily an essayist), I shared that with Tim, another colleague and friend, who nodded and said, “You don’t write poems, but you do write poetry.” My department chair, after visiting my class (on my request), had a single comment afterward: “You should be editing MY writing.”

None of this is to my credit—it’s just who I am. My colleagues are excellent writers, but different writers. And I can see the difference they mention too—my friend and colleague Joe and I see writing much the same way, but we also couldn’t be more different. Joe always wanted to be an English professor, and his frame of reference is continually focused on that perspective. Joe is also a musician, but he sees the world in terms of his English background. I NEVER intended to teach writing (not that I’m sorry), pursuing instead a career in music—which led to music business, which led to writing for those businesses, which led to free lancing, which led to offers to teach, which led to teaching at better colleges—and while Joe and I see writing in similar ways, my approach to the world is that of a musician, and it colors my writing.

How, then, does one write as a musician? Well, when I recorded my albums, I designed first the overall idea, the structure—then added other elements quite freely (jazz background kicking in here). In many ways, I could have played anything over the underlying structure, as long as it reflected and either reinforced or developed the overall idea. This is how I write too. The piece needs an overall flow, but it also needs percussive elements arranged in a pattern that both keeps the piece moving forward and adds interest and vitality. This isn’t easy to explain. Jazz musicians call this approach “feel.” We just know it when we hear it. Many music writers have noted sentiments like “Many people note that music is expressive, but when asked to explain what it expresses, fall silent.”

Aaron Copland may have summarized this best in his essay “How We Listen”:

“My own belief is that all music has an expressive power, some more and some less, but that all music must has a certain meaning behind the notes and that that meaning behind the notes constitute, after all, what the piece is saying, what the piece is about. This whole problem can be stated quite simply by asking, “’Is there a meaning to music?’ My answer to that would be, ‘Yes.’ And ‘Can you state in so many words what the meaning is?’ My answer to that would be, ‘No.’ Therein lies the difficulty.”

After all, what does a Bach fugue mean? Or a John Coltrane improvisation? Sure, songs have lyrics, but change the underlying music, and your favorite songs could easily become silly. Imagine ZZ Top in their standard style performing the theme from “Titanic.” Um…could change it a bit. [Could be fun, though: “Word goin’ round….ship goin’ down….by an iceberg round North seas…”]

Improvising over a song structure is not a matter of just going nuts, but rather mining the original piece for essential elements and reconstructing those pieces in multiple, original, creative ways. Classical composers do the same thing—look what Beethoven does in his Fifth Symphony with just a few notes. How does a musician learn to play like this on demand, live? Practice. Lots and lots and lots and lots of it. For me, writing is the same. All that reading? All that studying? All those drafts? These become tools and material ready to use to develop a motive on the page.

How does this translate to writing? First, I choose a direction. Sometimes, as in an argument, I can state that purpose explicitly, others, it’s just a feeling, as in a piece of music, and only implicit. From that starting point, I choose the major “events” that will happen along the way, looking for a good flow of ideas toward a meaningful climax and satisfactory denouement—whether I can explain it literally or not. And I remember that no musician grows without taking chances, exploring new territory, going out on a limb…(substitute your favorite cliché here—see the point?).

For a good musical example of how I see writing, download Pat Metheny’s “Last Train Home” [or buy this excellent album—“Still Life (Talking)”]. It starts quietly. The drummer is pushing a very quick regular “train” background consistently through what comes off as a slow, easy song. Listen and you’ll see what I mean about this song and writing.

Then it builds in the middle, adding (what else?!)—voices.

Writer

Sunday, June 17, 2007

Chess

My Dad taught me to play chess. He had joined a local chess group and brought the hobby home. I was enticed—such an interesting and complex game far outshone any of the Parker Brothers game boxes on the top shelf of the closet (even Monopoly, Clue, and—my favorite, Risk). He taught me fun tricks like Fool’s Mate (winning in just four moves), but also more important concepts, like playing for position, controlling the center of the board, not trapping my own pieces, and so forth.

I lost all the games, but I loved chess, and pestered Dad to play as often as possible. I started reading about chess—various opening strategies, gambits, defenses and such. I played the game with friends. I joined the school chess club (not a strong organization, unfortunately). Dad drifted away from his chess group. I started winning games. We didn’t play as often—then hardly ever.

My many bike rides around our neighborhood streets introduced me to a lot of regular porch sitters, including one man, late twenties or early thirties I’d guess (although I’m relying on childhood memory and perspective here), an avid chess player. I don’t know why he was at leisure to sit at home daily (I was too young to think to wonder or ask), but our conversations led to him inviting me in for a game.

He had a small, special enclosed back porch set up especially for chess, including a small table in the center of the room, two chairs, a few plants—and a chess clock. I had never seen one, the concept of timing moves new to me. Still, I was enticed, and I visited quite frequently, looking for a game. He always won, of course, but he was also an excellent teacher. I was most stunned and impressed by a practice begun at the end of our first game—he reset the pieces and reviewed the game from memory, move by move, discussing the strengths and weaknesses of my approaches. Aside from my amazement what I saw as an almost magical talent, I started to see chess as strategy, not an ongoing battle of moves, and games as thought patterns, not mere diversions.

I played chess with a few college friends here and there, but I found that not a lot of people play this game, so I didn’t get to play often. I run across people who respond to my interest in silly ways: "Oh, teach me--I bet I could beat you," for example, usually out of pure ego. I smile and look for ways to change the subject.

Twenty years ago, when I moved to my current home in the country, I met a bass player at a symphony gig who lived just a few miles from me—John Teeple (featured in the award winning documentary “Brothers Keeper,” a film I got to watch as it was made). John was much older than I, but we became close friends with many shared interests, from trees to gardens to home building to music to writing (he was working on a comprehensive time line of global history)--including regular chess games. I was the stronger player, but the time spent was well worth the while—not to mention the free ranging conversation.

These days my infrequent chess-playing is relegated to taking on my computer. In the early days of chess programs, I could sometimes beat the computer—although it would never admit it, opting to crash instead—but now playing is just an exercise in flagging mistakes. This is worthwhile for development, of course, but it’s just not the same as facing a person, analyzing the opposing tactics, choosing a strategy—and connecting in a meaningful, thoughtful way with a real, caring person.

Writer

Saturday, June 16, 2007

Bloggin’ for Nothin’ (and the clicks are free)

A few months ago, I started a blog. Primarily, I wanted a place to write away from the distractions of work place politics, mere reactions to discussion board debates, and generally other people’s expectations about what I should write, all colored by what I’ve written, where I’ve written and so forth. I chose to blog anonymously, without benefit of reputation, resume (or infamy). Only a few of my closest and most trusted friends and colleagues know my blog address (I wanted to feel free to write about anything), so I couldn’t start with the boost of predictable readers. I had to start from scratch.

I didn’t get around to a counter for a week or two, but I received a comment right away—people had found my blog. I certainly wasn’t above promoting my new endeavor, and I added the URL to the tagline of a discussion board I frequent. Success—I received several warm emails from those folks, now regular readers. Still, traffic was irregular, so when I had a few minutes a week or so ago, I explored blog visibility, and came across BlogCatalog. What fun! Suddenly I had gmail from people I’d never met (I’m still working my way through those folks), daily comments from other bloggers, and interesting discussions from nice, intelligent, like-minded people. I was quickly seduced and addicted.

Nothing is perfect, though. MUCH of these discussions focus on “add me and I’ll add you” trades to boost blog ratings on friends lists, neighborhoods, Technorati, StumpleUpon, Digg and so forth. “Link me and I’ll link you.” Well, no real harm—just people cooperating, right?

Such a prevalent practice can only create a backlash. Start with ratings. When I see a highly rated site, I don’t assume it’s a great site—I assume someone’s good at cooking the books. When I find a blogger I like, I don’t check the friends and neighborhoods, as they aren’t necessarily recommendations at all—the blogger may not have even viewed the site. And what about the people who’ve linked to my site or my pieces in good faith—people might well ignore those links as logrolling.

I’ve been assuming, of course, that bloggers want readers, when presumably, many bloggers seek high ratings to maximize ad revenue. Many sites carry so many ads that I’ve stopped reading those blogs, simply because I don’t want to wait for all those ads to load. Indeed, some blogs take so long to load that I gave up before they finished (unread). Yes, I visit some web sites with many ads—but that’s when I’m deliberately shopping, not regularly. Even then, for example, I use Amazon over Barnes and Noble because it loads so much faster. I do read the New York Times online, and yes, it features a number of ads and takes a while to load. However, it’s also rich in content, justifying the wait. A blog updated daily, even an excellent blog, just doesn’t have that same pull.

I’m not looking for clicks—I want steady readers. I want them to enjoy my posts. I want them to bookmark my blog. I want them to recommend this blog to other readers. I want them to visit every day or few. I want them to dig through the archives. I want them to read because it’s a good read, because they’re interested, not just click to trade a favor.

I’m reminded of my music business experience. I recorded three albums, found a distributor, and enjoyed sales from Alaska to Georgia. As the independent market grew, the distributors started selling ad space to artists in their catalogs—and as the market grew more, the ad prices skyrocketed. I did the math, and realized that while I needed ads to maintain sales, at those rates, I’d essentially be buying my own project. I’d be working for nothing (I was also the manufacturer). Since the money was more important than my ego’s desire to distribute my work, I folded the enterprise. The business was no longer about selling independent music to the public—it was about selling ad space to hungry musicians.

Similarly, blog ads are fine, per se, but counterproductive. Blogging for ad revenue is an open market. Readership is spread thin, and only likely to become more so as more people blog. I read very few blogs regularly (only so many hours in the day), preferring quirky, imaginative, well-written blogs with reasonable load times. I never click on the ads.

Plans for easy riches come and go, come and go. From Amway to churning real estate, people are always ready to exploit others’ dreams of waiting wealth, the dreamers rarely stopping to think that if all were that easy, why wouldn’t the dream mongers just engage in more of the same practice themselves? Placing ads on blogs IS a good idea—for Google and other providers of that service. After all—do YOU click on blog ads? Advertisers can still be happy—they get seen, and repetition is rule one in advertising. The service providers collect fees. All those bloggers see all those ads. Success, but make no mistake—bloggers are the customers, not the suppliers.

Certainly I can see ways to successfully commercialize a blog. This would mean writing about products and pastimes that people with money who use the Internet for shopping would regularly purchase (technology comes to mind). You’re a free lance salesperson working for commission—not a great job. I suppose it could work out with genuine interests—a hiker composing reviews of new equipment, for example (although somebody’s got to foot the bill for that equipment)—but if you’re going into sales, this is just not the best approach.

If my purpose were income, I’d fold the blog and start a webzine. Why look for a few clicks? Get readers there and keep them there! You could then pack the site with ads (as long as you paid attention to design with an eye toward load time). Readers could visit multiple times, and with live content, the ‘zine could always stay fresh. Instead of posting ad links, SELL advertising space! Make deals to sell their product for a share of the margin! Use the revenue to hire more writers, web designers and salespeople as required. If you’re going into sales, GO there! Don’t ignore your creative side—create a great publication, and you can sell subscriptions too.

Or, you could start yet another blog telling other bloggers how to make major money by adding ad links and cooking the books. You’ll have lots of customers.

Writer

Friday, June 15, 2007

Accept the Amount?

I stopped by the True Value hardware store to pick up a new pair of work gloves (I mislaid the old pair). While there, I picked up a collapsible chair—I have one, but since catherine (my significant other, deliberately spelled with a small “c”) will be down from Canada just before an outdoor three day Jazz Fest, we’ll need another. I headed for the cashier, and remembering that I only had a few dollars in my wallet (I have a bad habit of carrying around paychecks instead of visiting the bank), I pulled out the plastic.

“Debit or credit?” asked the clerk. I always use debit, since it just comes out of my checking account anyway, and I don’t want to add to my credit balance. “Debit,” I said, picking up the keypad on the counter. “Push the green button to accept the amount,” she instructed. “I can’t negotiate?” I quipped.

She laughed. “That would be nice, wouldn’t it?” The man in line behind me was also amused. “It’d be like priceline,” he said. [I didn’t know what that was, but a little research reveals he meant priceline.com, a primarily travel-based web site where visitors can, indeed, bid what they’re willing to pay. But I got the general idea.] “You should write about that,” he continued. “Places like ‘Reader’s Digest’ pay money for pieces like that.”

I should have dope slapped myself. I felt like Michael Keaton’s speech writer character Kevin in the movie “Speechless” when, after rival speech writer and love interest Julia (Geena Davis) stumps him with a simple question about specifics, he mumbles to himself, “I’m a writer; I should be prepared for stuff like this..”

“That’s an EXCELLENT idea,” I answered my fellow customer, “and I’m going to my car right now to write that down before I forget.” My husky mix, waiting comfortably in the air-conditioning but impatiently wondering when we were going to get to our morning run, had to settle down for a bit while I sketched how this might go:

KEYPAD: Accept the amount? Please press Yes or No.

ME (text messaging): I’m OK with 99¢ for the gloves, but $8.99 seems a bit much for a chair that’s essentially a little plastic “canvas” and hollow metal rods.

KEYPAD: Well, you picked the cheapest chair—we have a better model.

ME: Yes, I saw it, but $10 more for almost the same chair seems extreme. Can’t we work something out on the low end chair?

KEYPAD: We can deal with the high end chair, but our margin is just too low on the cheaper chairs—we rely on volume there.

ME: Still, I bet I could go to Oneida and find a similar chair for less.

KEYPAD: OK, let me check…

…PROCESSING…

…Yes, you’re right, they do have stock at $6.99

ME: So you’ll match their price?

KEYPAD: Not so fast. With today’s gas prices, you aren’t driving to a store 20 minutes away, shopping around, then 15 minutes back to the address we have on file for you, losing at least an hour of your time, just to save two bucks.

[The machine had a point. I thought for a minute.]

ME: OK, we’re going to be sitting in the sun for three days—what if I get a beach umbrella too? Can we talk package deal?

[The machine senses the opportunity for add-on sales.]

KEYPAD: That’s possible—but you’re going to need sunscreen too, aren’t you?

[Indeed, catherine is recovering from a sunburn already.]

ME: What’s the SPF?

KEYPAD: We’ve got some SPF 30 in stock.

ME: Done.

KEYPAD: ...PROCESSING…

[Displays both the regular total and the package deal total.]

Accept the amount? Please press Yes or No.

[I press Yes and enter my PIN.]

Writer

Thursday, June 14, 2007

Why I Hate Sports

I didn’t have an older brother, and my dad was working while going to night school, so I never really learned how to play catch or whatever else young boys supposedly learn about sports. Consequently, when I entered school, my male classmates did the only thing sensible to another child—they ridiculed me, making sure I’d be alienated.

Gym class was worse. First, I had to change in front of other boys, then spend an hour wearing shorts. They made fun of my knees (nothing wrong with them, but I didn’t know that). The “class” consisted of little more than playing Dodge Ball, or, more properly named, Slam Anyone You Can as Hard as You Can, and the more timid the target, the better. Gee—I didn’t prosper (someone should adjust the rules to allow points for the force of the tag). Sometimes we had to climb ropes—no instruction, just a drill sergeant gym teacher screaming while students helplessly swing. Other times, we practiced on spring boards or on the horse—the purpose still escapes me.

In fifth grade, when my dad was transferred, I got to enjoy going to a new school where no one knew me. What fun. Talk about bully target! I was regularly attacked on the mile long walk home by either Claus or Robelard. I spent a lot of time on my back while someone sat on me. Even my friend Mike seemed to enjoy this pastime. I didn’t. I DID learn a lot about squirming, but I wanted as much distance from these tormentors as possible.

Looking for something more fun, I pestered my parents for a bike. Our old home had been far out in the country on a highway, but now we lived in a suburb! My parents relented—although my mother wouldn’t let my sisters or me ride in the street until we could prove we had enough control to ride around the yard without wavering handlebars. What a fascist.

I rode everywhere—for hours and hours. I rode to Mike’s house. I rode to explore the surrounding countryside. I rode across town to the village library—I loved to read. A few years later, after pestering my parents again for private music lessons (which I later learned were secretly subsidized by my grandmother), I rode to the next town for music lessons. When my Boy Scout troop proposed a 50 mile bicycle trip, my fellow scout Terry and I practiced by taking several such trips (or at least as close to them as our understanding of the maps allowed).

My parents loved to camp. Every vacation, and several weekends, we headed for forest campgrounds, where I learned to climb trees—sometimes climbing 60-80 feet (I fell once, hitting several branches on the way down—getting the wind knocked out of you is wicked awesome scary, especially when you don’t understand what’s happening). “Why don’t you shinny up the trees?” asked the fascist, noticing my choice of trees with low hanging limbs. Well! I wasn’t going to let HER win! I practiced and practiced on my many long walks on forest trails, and in time, I could climb any tree strong enough to support my weight—and quickly, too. Take that, Mom!

I took another look at that gym rope. It DID look like fun, just not with the drill sergeant “helping.” I snuck into the gym from time to time to practice—no spotter. Before long, I could reach the top! The next time we did this in class, my gym teacher just looked at me in disbelief. [OK, I misplaced the fascist label.]

Sixth grade featured the class going outside from time to time to play softball. I, of course, was always chosen last, and stuck far in the outfield, I was mainly bored. One day, a batter hit a foul far to the right of first base. Well, someone had to retrieve the ball, so I headed over and caught it. My team mates went wild, rushed over, and carried me back to school—I had just, unwittingly, won us the game. A few months later, when Robelard was terrorizing me over recess, suddenly he was pulled off me—a dozen of my classmates, who had watched this all year, decided enough was enough, sharing their insights with Robelard. The bullying stopped.

In Junior High School (another new school), I briefly flirted with joining the wrestling team. One of my favorite teachers, Mr. Neufang, was the coach, our school excelled in wrestling, I liked what little I had learned about it in Gym, and I also learned something about the sport—when a new bully targeted me, the new kid who couldn’t throw an effective punch, I rushed in close and pinned the stunned attacker to the ground. A nice change—but ill fated. The school nurse/doctor had to approve us before we could join a sports term, and thus, they discovered I had a heart murmur. Before I could continue, I would need to see my own doctor and get written permission. Scared the hell out of me.

My family doctor, a wonderful man who let kids feed lollypops to his very fat dog, was not concerned. My heart murmur was congenital, not a news bulletin—and, as he explained, could very well heal (it did). “You’re not going to have a career in professional football,” he jokingly explained, “Or run up mountains” (he was wrong about that one), “But you’re fine, and there’s no reason you shouldn’t join the wrestling team.” Weeks had passed, however, and I was frustrated. “I’ve decided not to make the commitment,” I explained to him as I quit the team. “OK,” he accepted, “But you do know that you’ll have to make a commitment to whatever you decide to pursue?”

I nodded. I don’t know if he believed me, but I did understand (hey, how many people remember the name of their seventh grade teacher?). Another favorite teacher in eighth grade, Mr. Wiltze, coached the track team, and I considered it, but I had just had enough.

I still rode my bike everywhere. I rode to the next town just to have an awkward conversation with Lisa, who I thought of as my girlfriend. I met the Woodruff twins on my travels, two very gregarious boys who welcomed me into their almost non-stop basketball game—and given their popularity, other participants just learned to live with my poor skills.

High School changed things. I decided I wanted to be a professional musician, I needed lessons from professional symphony musicians, and my parents (thanks, Grandma!) eventually acquiesced. “I’d like to do this piece for NYSSMA (a state music competition),” I told my teacher, indicating the Mozart flute concerto in D. “Well, to do that,” my teacher explained, trying to discourage the choice, “you’ll need to practice 3-4 hours a day.” I missed the discouragement. I had chosen my commitment, and much to the amazement of teacher and parents alike, I practiced 3-4 hours a day.

This is not a light thing. The strain on fingers alone is extreme (when I move a finger even slightly, you can see the tendons ripple up my arm). The breath control involved in mastering wind instruments (I added bassoon to hedge my bets) at a professional level is extreme—I got up at 5 a.m. each day to run five miles before breakfast (the average person at rest breathes 12-16 times a minute—I breathe 2-3 times). I didn’t have time for sports—although a musician girl friend got me into tennis and ice skating.

I continued with Boy Scouts, enjoying the down time, just having fun. I learned to swim quite well, started mile long swims, and took lifesaving lessons from an instructor who would practically drown any student giving her the slightest opening (I’m not exaggerating). I learned to canoe quite well, including how to right a capsized canoe in the middle of a lake while fully clothed. (This proved fun when, at a camp party as an adult, I took off like a rocket in a canoe across the lake. My shepherd mix, concerned she might be left behind, took off after me. As motor boats were racing about the lake, this was dangerous, so I pulled my 90 lb. dog into the canoe without capsizing it. People were impressed. I was drenched.)

College offered me my only fun taste of sports. My housemates organized a weekly baseball game, and I tagged along. Much to my surprise, though, I wasn’t stuck in the outfield, and I wasn’t buried in the lineup. My teammates took a close look at available skills. “OK, he can’t hit far—but he always gets a hit,” they noticed, so they had me bat first. First! That’s because they also noticed I could run. So, I hit the ball, the infield jogged over for an easy out, turned to throw—and found I was already comfortably settled on first base, unpacking, ordering room service. They shook their heads. From there, they had to constantly watch me, the lead runner, as our stronger hitters batted me in. We scored a lot of runs.

The field was equally fun, for once. I wasn’t stuck in the outfield—I could catch, but I still threw like a girl, so unless I caught the hit, I wasn’t much use. Well—where do you put a guy who can’t throw but can always catch (as long as you didn’t Dodge Ball me)? I became our First Baseman. We won a lot of games.

That, though, was the last of my interest in sports. Today, I just have little time. When I can free a day or two, I go hiking in the mountains. Every day, depending on the weather, to exercise my dog and to keep in shape, I either run or cross-country ski for an hour or two along forest trails with my dog. Sometimes I’ll take off for a day in my kayak. But I just don’t have time for sports.

Writer

Monday, June 11, 2007

How to Train a Husky

My shepherd mix died about five years ago just short of age 16—my constant companion, hiking buddy, best friend. Girl friends were jealous of this dog. I knew I’d get another dog, but I was in no hurry. Hiking alone wasn’t much fun, but I wanted to wait for just the right one.

My vet knew this, and when another client had a litter of husky mixes (husky and lab), she hooked us up. I thought for a few weeks. I went to see the only pup left—the smallest of the lot, a ball of short but thick white fur. “What do you know about huskies?” I asked the vet tech. “The only thing about huskies,” she replied, “When they see a squirrel or something, they just take after it.” Understatement of the century. “About how big will she get?” I asked the vet. “Oh, probably around 48 lbs.” Nice call—today she’s 48.2 lbs.

This was a small dog for me, and I wasn’t sure—but the owners eventually talked me into it. I named her Shanti, which means “peace,” and comes from a Hindu sutra:

Lead us from the unreal to the real
From darkness into light
From death to immortality
Shanti shanti

Banshee would have been a more accurate choice. She’s a V12 engine in a Chevette—incredibly fast, and far stronger than the shepherd mix twice her size. Well, I’ve always been a good trainer, I thought. No problem.

I set up a puppy area in the kitchen, a safe place for her when I was at work, by blocking the hallway with a 4’ high piece of plywood. She took one look and effortlessly sailed over the counter through the open area into the living room. OK. I puppy-proofed as much as possible, and left her the run of the place, ignoring her yips as I left for work. When I came home, she was lying outside—she had managed to break an outside door. I fixed it as much as possible, placing a 4x8 sheet of plywood in front. When I returned, she was inside—and the place looked like a cyclone had hit it. The day after that, she was outside again—went through a window. When the weekend hit, I decided to try short trips to calm her separation anxiety—15 or 20 minute trips to the store. On one, she toppled a wooden bookcase and reduced it to toothpicks. I’m not exaggerating. On another—she went through another window.

OK. Outdoor dog, at least when I’m not home. Since she was such a good jumper—and digger—I knew my fence would never hold her. I built a lean-to/doghouse, bought some hay, plenty of waterproof toys, and got her a 20’ lead of vinyl covered aerial cable--just long enough to give her some room and some shade without getting tangled around the trees. That is, until she tore the lower branches off the trees. I also learned to regularly inspect the cables—she broke a few and went on a neighborhood spree for hours.

Now comes the husky game—ask any husky owner. You get just so close—and at the last moment the dog dodges. Huskies can do this for hours, and they’re very good at it. You literally can never catch them. And they love it. Kind of a challenge for training.

“OK,” I figured. “I’ll lure her with food.” Not so fast. Huskies don’t overeat, the vet tells me, and food isn’t much of a motivator for them. Even when it sort of is…back to that “ever so close” game before that husky dodge. She knows this means the end of the romp. The only hope is to get someone else to call and grab her (huskies are very friendly)—until she figured that one out too.

Once you’ve got the dog by the collar—new problem. Immediately she’s on her hind legs, paws around your arm. I remembered my dad describing this behavior in sled dogs after his trip to Alaska. OK, fine—on your hind legs then. Not so fast. She’d just flip over on her back.

I was always the person people turned to for training advice. I’d never even owned a leash before. My last dog had been calmly heeling beside me at six months. But I was out of my league. I needed help. I asked the vet to recommend a trainer.

Training involved mostly me learning how people train a dog with leash and choke collar, and Shanti wanting to run over and play with the other dogs. I did manage to accomplish a few things—pulling up on the leash to get her to sit, for example—but to a husky, once you’ve done something like “sit,” it’s done, and now it’s time to get on with life, not just sit there. I learned to snap the leash to get her to stop pulling—OK, to lessen the problem of her pulling--but mostly I managed to teach her only that I wanted her to do these things, to recognize them…not necessarily do them.

I expressed my frustration to the trainer, pointing out the virtues of my last dog’s training, that we had been a team. “Look,” he said. “You had an exceptional dog. Now you have a normal dog.” “She listens to you,” pointed out the vet. “She’s half husky,” added her colleague. “She’s that much closer to wild. You’re doing fine.”

At six months, she was due for spaying. This meant she would have to stay inside afterwards for a few days until the incision healed; lying outside was out of the question. I was also supposed to keep her quiet. “How am I going to do that?” I asked the vet. “Well…relatively quiet.” OK. I bought a large metal dog crate and set it up in the kitchen. I picked her up from the vet as late as I could—she was yelping and yelping in the kennel when I got there, and had been all day. She was calm when I was home, but she definitely didn’t like the crate idea when I left for work in the morning.

When I came home, she was outside the crate. She had banged and banged against the door until the latch lifted enough to let her out. Then she trashed the place again. The next morning, I secured the latch. She was outside the crate when I got home—she had banged and banged against the collapsible crate until one wall caved. And she trashed the place. I secured every joint of the crate with wire. She ripped the bars from the welding and bent them back to make a hole and escape. Yes, I’m serious. I decided to risk the chance of infection outdoors.

Then I noticed something—she stood and waited at the open front door. She always does, until I say “OK.” This I could work with. Mainly I wanted to be sure I could control her as a full grown dog, so I invented a game. “Play!” I shout, and she goes nuts, jumping and slashing at my gloves (she plays very, very rough). Then “Enough,” and she sits, watching and waiting for the next “Play!” “Enough.” “Play!” “Enough.” She’s very good about it.

Hiking is another matter. I’d love if she could just run and run, but she’s so fast that she’s gone in a flash. Usually, I just count on a dog to stay nearby to train it for hiking. Trouble is, together with her speed, she has an excellent nose. When I tried to trick her by walking off the trail (to get her to stick closer next time), I just found she could follow my trail at a dead run—including right angle turns. What do you do when her position is “I AM right with you. You’re five miles that way—I can smell you.”? Add to this that she loves people and especially other dogs and will follow them for miles until she finally decides she’s done and comes back (and in the meantime I’ve no idea where she is). I turned to the Internet and the book store. What do professional husky owners do? I soon found my answer, absolutely consistent from source to source: never let a husky loose.

Getting her to leave game alone also proved impossible. Once she sees it, she’s completely and immediately focused on nothing else, and takes off as if fired from a gun—even on her leash. I use the heavy duty 26’ retractable leashes rated for large dogs. She breaks one every few months. Miraculously, she comes right back when I call her. Most puppies will look crestfallen when scolded, but she always just looked at me, sometimes yipping some version of “What? Come on—what’s the problem? That was the third squirrel, damn it. We HAD it man, we HAD it! What’s wrong with you?” I settled for minimizing pulling—but I still have to continually repeat this, and I get a nasty jolt to wrist, shoulder, elbow, ankle, knee, and so forth regularly. Sometimes I have her walk behind me, but since she walks RIGHT behind me, no clearance at all, I usually give up (heeling doesn’t work well on narrow trails).

In the car, she’s always in the way when I get in, but jumps to the back the moment I start the engine. She now comes when I call her for our morning run, instead of standing, stretching her back legs, stretching her front legs—and lying down again. And not in a circle anymore, then only to do the husky dodge. In a straight line. Right to me. I swear (one friend and lifelong husky owner can’t quite believe it). When cars go by while we’re walking down a stretch of road to the trails, she automatically heels, watching me for the “OK.” Truly. And today she comfortably roams the yard on a 60’ lead (which still needs regular inspection for impending breaks)--without terrorizing the trees.

The most unique training was the cross-country skiing. I always had to wait for my shepherd mix to catch up, but Shanti feels only “About time you moved your ass. Best you can do?” Good, but how to keep her on a leash while my hands are occupied with ski poles? I finally hit upon wrapping a short, metal chain leash around my waist, outside my coat, threaded through the handle of the retractable leash. This also allows the leash handle to travel around me when Shanti runs back and forth, instead of wrapping the cord around me. (I used to use my belt, but she kept breaking them and ripping open my coat when she abruptly took off after game.) This works reasonably well—until we come across another dog.

The other problem is pulling—sounds like fun, but it’s often dangerous, depending on the terrain (I ski in the forest) and the conditions (like when hikers or snowshoers have packed the ski trail into a flat field of ice instead of walking in a separate, parallel trail). If another dog is ahead, she knows it, and suddenly we take off. If you see snowplow marks on a flat ski trail and wonder how that happened—that’s me. So the most important command for skiing is “Back!” You do NOT want to go skiing down a curving, forested hill with a husky pulling you faster in random directions while you’re fighting for control—or trying to slow down. Again, she follows IMMEDIATELY behind, but I’ll take it.

So how DO you train a husky? Lots of time, lots of patience, a healthy supply of Icy Hot, Mineral Ice or Tiger Balm, and plenty of ibuprofen.

Writer

Friday, June 8, 2007

Why I have little faith in High School

A bad joke at best, admittedly, but when my total at the local store came to $19.32, the clerk duly announced "Nineteen Thirty Two." “Not a good year,” I remarked.

“I wouldn’t know,” shrugged the clerk, a High School graduate.

These people know me well (I see them almost daily), so I teased, “What do they teach in High Schools these days?”

She shrugged again. “Wouldn’t know. I don’t go to school.”

I couldn’t yet give up. “What did they USED to teach in High School?”

Stymied. “Dunno. I never paid attention.” And so on with her life long career as a clerk. But I can’t say my High School experience was much better.

I remember Kindergarten—age four. My teacher read us “The Lion, the Witch, and the Wardrobe.” I was fascinated. My home had several books—my mother had been a librarian, my maternal grandmother was a sixth grade teacher, and my dad was going to night school—and I started to read them. I read all of the C. S. Lewis Narnia series over the next few years (along with many other works).

Then it stopped. I was failing 1st grade arithmetic—until my mother bought a pile of flashcards and forced me to go through them again and again until I mastered it. Second grade wasn’t much better—I’d learned to hate school. Third grade was the deal breaker. My teacher was a witch, and I shut down. I received a C in reading. My parents were so confused and concerned that they invested in a flurry of eyesight and hearing tests. I don’t remember fourth grade at all (but I DO remember my dad coming home early when JFK was assassinated). In one of these grades, shuffled off to art class, I showed a friend a sundial I had designed and built from cardboard—hours of work. The art “teacher” walked over and ripped it to shreds.

In 5th grade, when my dad was transferred, I moved to a new school. My parents resisted placing me in the recommended “accelerated” class, noting that perhaps I just wasn’t up to the pressure. My new teacher, then, was an extremely tall, imposing man I frankly feared a bit—Mr. Christensen. Not only is he one of the best teachers I’ve ever known, but YEARS later, when I was facilitating a “introduce the arts” class for teachers, he was among the attendees—and instantly remembered me. Ironically, a few years after that, I had his daughter in two separate college classes. Yet a few years later, now working for National Public Radio, she interviewed me for an Indian land claim piece.

6th grade clinched the turning point. When my mom arrived for a parent/teacher conference, Mr. Grudzinski (as I understand from my mom later), apparently fresh from a parental conflict, announced, “I gave your son a B because that’s the grade he deserved!” Unfazed, Mom replied, “OK…” and Mr. Grudzinski relaxed. “I’m not supposed to show you this,” he noted, “but I think you should see this,” and he showed her the results of our placement tests.

Mom came home. “You will earn “A” grades from now on,” she announced. End of story. It was OK. I loved Mr. Grudzinski—a very nice man, a very funny man, and a great teacher.

Junior High School was scary. Suddenly, I was in classes with those “accelerated” students, none of whom I knew. I withdrew again, finding refuge in only two places—mathematics and music. Mark, a math wiz, became my best friend. We both entered a county wide contest. I won a gold medal for my presentation on “Functions and their Graphs.” Mark didn’t fare so well. The next year, I wrote a paper for the same contest on differential calculus. I thought about a career as a mathematician, but I was worried, and was cautioned, that this might not be a promising field. Add computers to this and consider just how bad this advice proved to be.

Four Junior High teachers stand out—two of them surprisingly in Social Studies, a subject I had always hated: Mr. Neufang and Mr. Lane. Suddenly, I understood that this was not about boring dates and events, but about people and exciting times. Riding a horse through the White House? Got my attention. I started to care about the outside world—and learn about it. The other teachers were in science. My 7th grade teacher was so full of puns and tricks that he kept my interest—40 years later I can still name the bones of the body. But my 8th grade teacher, Mr. Wiltze, really pulled it all together. We had to write a series of correlations—Dandelions and Icebergs, for example. We had to think. We were not rewarded for mere length (I wrote 12-20 page papers). We didn’t get good grades for the hell of it (and I didn’t do so well—B grades, as I remember).

Unfortunately, that was the end of my public school education. Yes, I did have a few good teachers—I remember a geometry and a French teacher—but my education moved to what I was reading/studying outside of class. By far the worst was English—we just did the same damn thing we had done in 7th grade over and over and over, just with different reading material. To get an A, just write about some personal interest. These teachers were pathetically easy to play. No wonder students come to college so ill-prepared. I did have one excellent teacher, Mr. Wanzer, my music teacher, who taught us Music History and Appreciation with a college level text, Donald J. Grout’s “A History of Western Music.” Wanzer took us step by step, and showed us the importance of each development. He developed our talent—I directed our Jazz Band my senior year. I earned performance scholarships from the Eastman School of Music and the New England Conservatory, entering my classes knowing far more than my classmates ever learned—no exaggeration. Of course, Wanzer was fired.

As a High School freshman, I visited my guidance counselor to choose my courses. I had a choice between Biology and Earth Science. I wasn’t (then) interested in biology, so I opted for Earth Science—but first I had a question. I DEFINITELY wanted to study physics (a passion I still hold today), so I asked for assurance that Earth Science would allow me to follow the sequence of courses I would need to get to physics in my senior year. I was given that assurance, so I took Earth Science (in a class of mostly seniors).

The bitch lied. When I wanted to enroll in the next course, Chemistry, I was told I needed Biology first. So, I completed my science education one year behind my peers. I never studied physics, except for the extensive reading I’ve done on my own.

The final straw was my senior year. When I received my schedule, it beared no semblance to reality—completely ignored my language sequence, for example, and scheduled me for three periods of study hall. Huh? I finally knew then, completely, that my education was up to me.

Working around the bandroom and Mr. Wanzer’s office, I happened upon the Master Schedule. Hmmm. I opened it. Interesting.

I threw away my course schedule and wrote my own—partly getting into my friends’ classes, but also getting myself into classes I wanted—Humanities, for example. I had no study halls. I went to the classes I had chosen, knowing that in each class, after attendance, the teachers would ask, “Is there anyone I didn’t call?” I raised my hand. “Does your schedule say you’re supposed to be here?” I nodded yes, knowing they never checked. “OK,” they said, and added me to their rosters.

Three months later—three months—my guidance counselor asked to see me. “People have been looking for you,” she said, “calling your name in study halls.” So right there, I knew she was a lying idiot—or at least I hope people wouldn’t look for a lost student by calling a name every day for three months. Obviously, they had long ago just crossed my name off their attendance lists. “Um, well, when I got my schedule,” I explained, knowing I was talking to a moron, “I realized it was a mistake, so I just went to the right classes instead.”

“You can’t just do that!” she exclaimed. Knowing I had already won this battle three months ago, I put on my most contrite face. “Gee, I’m so sorry,” I swore. “I didn’t realize. I’ll never do it again!” Of course not. I’m a senior. I’m out of here.

And thank god. I needed to learn, and I clearly wasn’t going to do it in High School. Mostly they wanted me to pursue a career as an architect, as my aptitude tests indicated (I think my dad still wishes I’d done this). This, of course, is currently a depressed field. I scored 720 on the math portion of the SATs--before they decided to lower the bar. I graduated with honors. And I knew that school did not equal learning.

Writer