Diving into the Wreck

by Adrienne Rich

First having read the book of myths,
and loaded the camera,
and checked the edge of the knife-blade,
I put on
the body-armor of black rubber
the absurd flippers
the grave and awkward mask.
I am having to do this
not like Cousteau with his
assiduous team
aboard the sun-flooded schooner
but here alone.

There is a ladder.
The ladder is always there
hanging innocently
close to the side of the schooner.
We know what it is for,
we who have used it.
Otherwise
it is a piece of maritime floss
some sundry equipment.

I go down.
Rung after rung and still
the oxygen immerses me
the blue light
the clear atoms
of our human air.
I go down.
My flippers cripple me,
I crawl like an insect down the ladder
and there is no one
to tell me when the ocean
will begin.

First the air is blue and then
it is bluer and then green and then
black I am blacking out and yet
my mask is powerful
it pumps my blood with power
the sea is another story
the sea is not a question of power
I have to learn alone
to turn my body without force
in the deep element.

And now: it is easy to forget
what I came for
among so many who have always
lived here
swaying their crenellated fans
between the reefs
and besides
you breathe differently down here.

I came to explore the wreck.
The words are purposes.
The words are maps.
I came to see the damage that was done
and the treasures that prevail.
I stroke the beam of my lamp
slowly along the flank
of something more permanent
than fish or weed

the thing I came for:
the wreck and not the story of the wreck
the thing itself and not the myth
the drowned face always staring
toward the sun
the evidence of damage
worn by salt and away into this threadbare beauty
the ribs of the disaster
curving their assertion
among the tentative haunters.

This is the place.
And I am here, the mermaid whose dark hair
streams black, the merman in his armored body.
We circle silently
about the wreck
we dive into the hold.
I am she: I am he

whose drowned face sleeps with open eyes
whose breasts still bear the stress
whose silver, copper, vermeil cargo lies
obscurely inside barrels
half-wedged and left to rot
we are the half-destroyed instruments
that once held to a course
the water-eaten log
the fouled compass

We are, I am, you are
by cowardice or courage
the one who find our way
back to this scene
carrying a knife, a camera
a book of myths
in which
our names do not appear.

______________________________________________

I was thinking through feelings and thoughts, sorting through what I want to say, but find I can't really add much to what Rich has already so eloquently said. I keep fruitlessly working at it. Somehow it helps. The wreck and not the story of the wreck. Not sure how. It just does.

Writer

TV Sports

I’ve never really understood the allure of watching sports on television.

I do have some fond memories of watching the ABC Wide World of Sports each week with my dad--mostly I wanted to see the poor ski jumper wipe out again, “the agony of defeat” indeed. We also watched stock car racing quite a bit--but as neither of these pastimes survived my passage into adulthood, I suspect I was mostly interested just because these were Dad’s passions.

I’ve also enjoying watching TV sports at times, primarily the Winter Olympics--downhill skiing and ice skating especially. Summer Olympics not so much, except for gymnastics. Tennis can be interesting, watching from above, noting the chess like strategy of the shots, striving to move an opponent to a difficult position. At the same time, it’s never been something I made a point to watch. From time to time I’ve followed baseball, but each time I’ve quickly fallen away.

TV just doesn’t capture the real skill of the players. Once, visiting a friend in Chicago, I went to a Cubs game. We sat just over the dugout and watched a relief pitcher casually warming up. Nice, slow, relaxed toss--and the ball goes flying like a rocket in a straight line several dozen feet, neatly into the catcher’s glove. Amazing. Those outfield catches and double plays? A ball shooting like lightning hundreds of feet in perfectly straight lines in must a second. These are professional athletes. You don’t get that perspective on TV.

So I’m just not the stereotypical sports fan, sitting in a Lazy Boy with chips and beer, proclaiming “We’re #1!” I’d rather get out and be active myself.

Football just seems to be wait, wait, wait, line up, run into each other for a second, fall down. Basketball means endlessly running up and down a court. Hockey seems to be furiously skating around, hitting each other with sticks whenever possible. Boxing just seems brutal.

I can at least understand why others might want to watch these, but other TV sports mystify me completely. Golf, for example--walking, teeing, looking up the course, addressing the ball, a swing, then watching sky sky sky sky sky, bounce bounce bounce bounce bounce. Repeat. Or fishing. It’s a guy or two in a boat casting line into the water. What’s to see for half an hour?

At the same time, I’ve watched engaging movies about all of these sports--even on the small screen. What’s the difference? Of course, movies can spend more time setting up effective filming angles, and of course, feature a carefully crafted, scripted story. Regular sports fans, engrossed in a team’s fortunes, probably see more of a story.

Or perhaps I’m just a loner who prefers quiet time to think. I’d rather hike in the mountains than walk around a golf course, explore the waterways in a kayak than sit in a canoe with rod and reel.

Or maybe I just like a good story.

Writer