A Fruitful, if Fanciful Origin of Poetry

Once upon a time, Edgar Allen Poe pondered, weak and weary from staying up late past a midnight dreary, thinking how quaint and curious that many a volume was now forgotten lore. While he nodded, nearly napping, suddenly there came a tapping, as of some one gently rapping, rapping at his noggin’s door. “’Tis an apple!” Poe then muttered, “Falling on my head before. Only this—but damn it’s sore!”

He was right—the apple had left a gash, and Poe’s head was bleeding. However, this was just the nogginly nudge he needed to move past writing more forgotten lore to his new way of writing. It would become known for it’s inventor, the poe-m, and the art of crafting it for the source of it’s inspiration, the poet-tree. And just as Poe’s head was now red, just as an apple is red, so would the new art form become fruitful and be read.

And fruit would remain a theme as the art grew more complex. Blake wrote a pear of poems, “The Lamb” and “The Tyger.” He was also concerned about the health of the trees, recording in “A Poison Tree” his efforts to “[water] it in fears, night and morning with my tears…and it grew both day and night, till it bore an apple bright.”

Other poets were concerned with the trees, noting the weather. Percy Bysshe Cherry, I think it was, wrote an “Ode to the West Wind”: “Destroyer and preserver; hear, O hear!” [Given that his wife was occupied writing about monsters and society, we can appreciate his concern.] Williams Carlos Williams was also concerned, noting in “Spring and All” “small trees with dead, brown leaves,“ relieved by “the profound change” when “rooted, they grip down and begin to awaken.”

Williams was really more concerned with possession, preservation and consumption of fruit, though, as he shows in “This is Just to Say”:

I have eaten
the plums
that were in
the icebox

and which
you were probably
saving
for breakfast

Forgive me
they were delicious
so sweet
and so cold

Not everyone protects their fruit so carefully. I once had to post this on my department’s break room fridge (titled “This is Just Dismay”):

I have discarded
the plums
that were in
the icebox

and which
you were evidently
saving
for eternity

Forgive me
they were decomposing
so soft
and so old

But even less high-brow forms of poetry, such as song lyrics, are concerned with enjoying tree fruits, like this excerpt from The Eagles (or Linda Ronstadt):

Avocado
Why don’t you come to our senses?

and in a later verse:

Now it seems to me, some fine things
Have been laid upon your table

Nor is the avocado the only tropical fruit featured in poetry. After all, when we really like something, it has “appeal.” Consider Gary Soto’s “Oranges,” where he notes that the first time he walked with a girl, he had two oranges in his jacket. And Frank O’Hara appreciates the inspiration he gets from oranges, even just their color, in “Why I Am Not a Painter”:

I am not a painter, I am a poet.
Why? I think I would rather be
a painter, but I am not. Well,

for instance, Mike Goldberg
is starting a painting. I drop in.
"Sit down and have a drink" he
says. I drink; we drink. I look
up. "You have SARDINES in it."
"Yes, it needed something there."
"Oh." I go and the days go by
and I drop in again. The painting
is going on, and I go, and the days
go by. I drop in. The painting is
finished. "Where's SARDINES?"
All that's left is just
letters, "It was too much," Mike says.

But me? One day I am thinking of
a color: orange. I write a line
about orange. Pretty soon it is a
whole page of words, not lines.
Then another page. There should be
so much more, not of orange, of
words, of how terrible orange is
and life. Days go by. It is even in
prose, I am a real poet. My poem
is finished and I haven't mentioned
orange yet. It's twelve poems, I call
it ORANGES. And one day in a gallery
I see Mike's painting, called SARDINES.

Not all poets write about fruit trees, of course, but they still retain their attachment to trees, as Frost shows us in “Birches”:

I'd like to get away from earth awhile
And then come back to it and begin over.
May no fate willfully misunderstand me
And half grant what I wish and snatch me away
Not to return. Earth's the right place for love:
I don't know where it's likely to go better.
I'd like to go by climbing a birch tree,
And climb black branches up a snow-white trunk
Toward heaven, till the tree could bear no more,
But dipped its top and set me down again.
That would be good both going and coming back.
One could do worse than be a swinger of birches.

Writer

Rabbits and Seals

I like rabbits. I really do. My sister had a white rabbit as a pet for years. People a few miles down the road keep rabbits to comb for Angora—something I’ve considered myself. When a careless driver hit but didn’t kill a wild rabbit, I stopped and even took it to the vet (it had to be euthanized—severed spinal cord).

My rabbit adventures, though, really started when a former irresponsible neighbor, after keeping rabbits for a bit, changed his mind and set them loose. [Where do people get these ideas about animals? Most animals in the wild never live to see age two—let alone abandoned pets. That puppy you let loose to enjoy its freedom? The one with the cute kerchief around its neck? It’s now dead.] Now that the rabbits were no longer his responsibility, at least one of them became mine—chewing its way through the skirting of my home, ruining my winterizing efforts. Eventually, the rabbit disappeared (probably dead), and when the weather warmed, I ripped out all the damaged skirting and replaced it with aluminum flashing, burying it a foot deep (to keep out mice, rats and voles as well). Whether by cause and effect or by chance, however, wild rabbits took up residence across the grounds, to stay.

To a point, I didn’t really mind. Hey, if they eat the grass—terrific! Once in a while one would get hit in the road—sad, and I’d have to do something with the carcass. My old shepherd mix caught one—I have no idea how, since she was almost 16, tired and very ill. Perhaps she fell on it. Dunno. I let her have it—bunny was half gone as it was, and I was going nuts trying to get my poor old dog to eat protein anyway.

Rabbits were evident from time to time. One year I planted 50 black cherry seedlings around the borders of the property (black cherry is native here, and the wood is valuable). By spring, every one was gone. Rabbits were the main suspects, of course, but without any hard evidence, no court would ever convict them.

I didn’t notice them much. My husky mix puppy caught one while on her lead, but since she’s essentially lightening with fur, no big surprise. We walk around the property sometimes, she on her 26’ retractable leash, and yes, she often explodes into a run after game, ripping my arm from its socket, but here in the country, that could be almost anything; she loves to chase birds, and we have lots of them.

She especially loved “helping” to plant my fruit trees. She didn’t understand what all this was about, but she quickly learned that first, playing with those strange sticks was verboten, and second, whatever we were doing, it involved a lot of walking and digging. Gotta love that! With gusto, she “helped” dig holes for the trees, and when I walked back to my shed to get each tree, she carefully guarded each hole (I don’t know what we’re doing, or why, but this is OUR hole, so just back off!). Four varieties of apple, two kinds of pear, a few cherry trees—a week of hard work and a summer of watering yielded my own orchard. Despite a few problems—beetles, for example—the orchard was healthy and progressing well.

Then, over the winter, the rabbits reduced it to dead twigs. Hundreds of dollars worth destroyed.

My electrician, a friend, over to replace a leaky meter, noted during conversation that his fruit trees had suffered a similar fate. An acquaintance of his at the Ag/Tech college suggested protecting the trees with black PVC tubing cut at an angle. Seemed worth trying. As soon as the school year closed, I bought an assortment of apple, pear, peach and plum trees. I mentioned my circumstances to the clerk. “Rabbits,” she said, shaking her head.

I headed for the hardware store for PVC tubing. I explained what I wanted, and long since accustomed to my quirky ways, the staff listened patiently. For what I wanted, they explained, I could use waterline. Comes in inch and a quarter. Fine. They’ll sell it by the foot—just need to cut it first. OK.

I sat in the car. And waited. And waited. I drank my coffee. I was glad I had bought the paper. I read it. Finally, the yard guy arrives with a large roll of tubing. “We had trouble cutting it,” he explains. I can see that—one end is squashed flat for a few inches.

“How am I going to cut it, then?” I asked.

“Oh, no problem—we just didn’t have a good saw. You’ll be fine.” Unconvinced, I stuffed the roll in my car and headed home. I backed down the driveway and leaned back, relaxing for a moment. A rabbit peaked out of the evergreen trees, then hopped about with impunity.

A friend suggested I cut the tubing in a spiral to wrap around the tree. I soon learned I’d be lucky to cut it at all, let alone get it around the trees. I soon settled for just cutting a slit, but just as soon realized (1) that would be difficult with a circular saw and (2) I was already lucky to still have my hand as the saw kicked back. So, I just cut the stuff in half, and took 3-4 halves and taped them around the trunk. That was going to take quite a bit a tape for several trees. Back to the store. The rabbits could easily reach past the first branches, so I also grabbed some 4’ chicken wire to circle the trees—along with black plastic sheeting to control the grass inside the fenced circle. And so, after a lot of trial and error, after a day’s labor, I had planted—a tree.

I managed a few more before dark, each in its own little concentration camp, acutely aware that for all the effort I was investing in cottontail prevention, the critters had ipso facto the entire year (or two or three) to breach security.

For reasons I can’t quite explain, I’m reminded of the end of the first chapter of Joyce’s “Ulysses”:

"A voice, sweettoned and sustained, called to him from the sea. Turning the curve he waved his hand. It called again. a sleek brown head, a seal’s far out on the water, round.

Usurper."

Writer